Amir Youssef

APOLÉON - Film - 14min - 2023

présenté dans le cadre de l'exposition Panorama 25

Film


The film's narrative encompasses the deteriorating diorama of Napoleon and the Sphinx.

A group of figurines from the Military Museum of Paris join Napoleon on his expedition to Egypt. As the figurines embark on their journey, they discover the broken nose of the Sphinx, leading to a surreal interaction between Napoleon and the monument. By blending past and present, the film explores political issues related to militarism and colonisation, and challenges traditional historical narratives.

Amir Youssef


Visual artist from Egypt based in Alexandria. He received his bachelor in 2015 from the University of Alexandria's Faculty of Fine Arts, where he also worked as a Teaching Assistant. His work at this university has strengthened his commitment to issues relating to art and pedagogy, as well as to leadership and learning strategies that might address the social inequality of educational and cultural resources in Alexandria, Egypt. He received his master's DNSEP from the French art school Ecole d'art d'Aix en provence.

His artistic approach focuses on robotics and media archaeology. He explores many facets of movement and narratives while working with a range of mediums, including sculpture, installation, and video. He had always found enormous interest in creating moving objects that changed the appearance and use of toys. He sees a lot of his present work as an outgrowth of this desire to know how things actually work so that he can change their function and significance.

He has been able to explore with a variety of materials and concepts due to this process. While working with American artist Theaster Gates in 2012 on his 12 Ballads for  Huguenot House project for DOCUMENTA 13, where Gates fully rebuilt a run-down house with the aid of artists and musicians, he acquired a better understanding of the value and worth of surrounding materials. It turned  a centerpiece for the local and visiting artist, curators, and Documenta visitor communities. a component of the exhibition scene and of the show. He also worked as an art director for Wael Shawky's film El Araba El Madfuna Part II, 2013.

Crédits


Le Fresnoy - Studio national des arts contemporains, Tourcoing — Musée de l’Armée - Hôtel national des Invalides