Kieu Anh Phuong Nguyen

Film

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In contemporary Hanoi — a city haunted by the echoes of an unfinished love, between a Vietnamese worker sent to East Germany in the 1980s and the woman he left behind. What lingers after the collapse of an ideology inhabits faltering bodies, muted gestures, and misty corners of the city. Echoes of the past ripple through a drifting generation — an inherited fatigue, a quiet unrest, a looping refrain, a trembling future.

Kieu Anh Phuong Nguyen

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Nguyễn Phượng Kiều Anh lives and works between Vietnam and France. She graduated from ENSAD Paris in 2020, then from Le Fresnoy - Studio National des Arts Contemporains in 2026. Her work, spanning film, installation, and writing, questions the body as a site of memory, violence, resistance, and exhaustion, at the edge of the intimate, the political, and the imaginary. Through fragmented storytelling and the interplay of archival and fictional traces, she constructs environments that unfold as mutable cartographies, landscapes where memory and history are constantly negotiated and reimagined.

She has exhibited her work at Les Grands Magasins in Pantin (FRA), Sàn Art in Ho Chi Minh City (VNM), and Nhà Sàn Collective in Hanoi as part of DOCUMENTA 15 (DEU), among others. Her first film, Fallen Noon – Trưa Lịm, was selected for international festivals including CPH:DOX (NEW:VISION AWARD competition) and FICCI Cartagena, and received the Best Film award at Videoex Zurich in 2026.

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